Showing posts with label Greg Yaitanes. Show all posts
Showing posts with label Greg Yaitanes. Show all posts

Thursday, February 9, 2012

Review: House Season 8 Ep. 11, Tumor Ex Machina

DAHLINGS -

The opening of “Nobody’s Fault” is a disheveled hospital room, covered with spatters of blood. A bottle of Lidocaine lies of the floor. It’s one of the best cold opens in a long time, but then, I love gore.

I spoke too soon. We are plunged into an extremely dark room, House sits opposite a Dr. Cofield, played with a stunning lack of charisma by Jeffrey Wright. Cofield is the head of Neurosurgery at New York’s Mercy Hospital. He was once Foreman’s mentor, so Foreman has brought him in to cover his own ass. (Why a head of Neurosurgery is involved in this is one of those things best not thought about or your ears will start to bleed.)

Director Greg Yaitanes loves effects that draw your attention away from the story to the direction, so the first few minutes are spent puzzling, “why hasn’t PPTH paid its light bill” and “This is a modern hospital, why are they sitting in room straight out of the 1920s?” .

Cofield is there to investigate a violent incident involving the POTW, a chemistry teacher who collapsed while jogging and now cannot feel his arms or legs. Since once again I don’t remember the patient’s name, let’s call him Biff. House begins by saying the incident is “nobody’s fault.” That bad things happen. Since Cofield seems never to have been in a hospital before, he is inclined to disagree.

The case is examined from each team member’s perspective. During the case proper, the lights are on, but when it returns to the investigation, the lights go out and there is an eerie blue tinge. Make sure to watch this in a darkened room or you won’t see a thing. And somehow Jeffrey Wright manages to suck all of the energy out of each scene he’s in., which affects the overall pacing of the episode.




"Do you think you could turn on the light on the table?" "No."



Biff was involved in a classroom chemistry explosion but for some reason nobody thinks that has anything to do with what’s happening.

The only member of the team who acts as though he is not spoiling his trousers with terror is Taub. Park and Adams are both…well, they’re Park and Adams.

In keeping with this season’s direction, there is a pointless prank war going on between Chase and House. But more on that later.

Biff has a rash under his arms, so House orders him pumped full of steroids in hopes of making the rash worse. Unfortunately, this gives Biff a major case of ‘roid rage. In one of those “this needs to happen even if it makes no sense”moments, Chase and Adams decide to biopsy the rash. Chase wheels in a table, revealing that he has a scalpel and a bottle of Lidocaine. Biff goes berserk and stabs Chase with the scalpel. There is an excellent shot of a stunned Chase not realizing that he has a scalpel stuck in his chest.

(For the record, Jesse Spencer knocked this out of the park. He tends to be criminally underused.) They rush him to the OR. With Cofield, Adams blames herself. Taub guesses that Chase might be at fault for bringing a scalpel into a room containing a psychotic patient. (YA THINK?)

There is a temporary moment of dramatic tension when Chase can’t feel his legs, but by the end of the episode he’s in physical therapy. When House opens his Vicodin bottle, it explodes (prank war). This gives House an epiphany, so he sprints out of the hearing the same way he sprinted out of the hearing during Season Three when he was on trial for abusing drugs.

ANYWAY, House realizes that Biff’s being in the explosion loosened cancerous tumor cells from his lymph node which proceeded to go through his entire body. Since we’ve completely forgotten about Biff, my only reaction was “Huh?” However, Biff’s wife isn’t buying it and rushes Biff to another hospital.

As usual when we reach heavy dramatic moments toward the end of the episode, it starts pouring rain outside. The entire team gathers to hear Dr. Cofield give his verdict. It’s something along the lines of House being brilliant but a complete disaster, when they are suddenly interrupted! By Biff’s wife!

House was right! Biff will be cured by House’s diagnosis! “He saved my husband’s life!” she exclaims breathlessly to Cofield.

Your faithful correspondent dropped her drink, exclaiming, “You have GOT to be kidding!”

But no. Cofield announces that the incident is indeed nobody’s fault. House, ever maddened by good news, yells at Cofield for being a coward. Then he visits Chase, who’s walking on a treadmill, and says, “They were wrong. I’m sorry.” Chase and House share a manly moment of silence before the end credits.

Next week, the episode is about Chase. Since we see him talking about leaving PPTH in the promo, then in a lab coat, it's a good bet that the status quo will be preserved. People don't change.


Ciao,

Elisa & Fletcher

Sunday, September 25, 2011

House MD Advance Review: "Twenty Vicodin" SPOILERS

DAHLINGS -

The premiere episode of the 8th season of House M.D. is titled “Twenty Vicodin”. One suggests that if you do not care to be “spoiled,” as the saying goes, stop reading right here and go page through InStyle. Please bear in mind that this review is based on a review copy, so there may be significant changes before the episode airs.



********************************************************

When Dr. House plowed his car into Lisa Cuddy's living room in last season’s finale, “Moving On,” fans and critics were left in various stages of bafflement and rage. Then it was announced that the superb Lisa Edelstein was leaving for greener pastures. What to do?

A quick makeover! From Homicidal Maniac House to:

Sad and Sexy House. This House not only has a smoother, younger complexion, wider eyes and less gray in his beard, he also sports a leonine head of brown hair, glinting with gold and red highlights. In the first close-up we have of House after the open, lying in bed facing upwards toward the camera, Hugh Laurie looks as dewy as a maiden on a Spring morning. Physically at least, prison has been exceptionally good to Gregory House. Maybe it's the L'Oreal VitaLift cream.





Emotionally, House doesn’t seem particularly remorseful, maybe quieter than usual. It is left to the other characters to tell us how much he’s punishing himself. He has refused to take any calls or see any visitors in the months he’s been there. One does hope he sent his mother a postcard.

“Twenty Vicodin” carefully lays the groundwork for audiences to fall in love with House again. This is supposed to be an “out of the box” episode. But it’s the same box in new wrapping paper. As listlessly written by Peter Blake and directed by executive producer Greg Yaitanes, the script follows the House formula. Except that none of the other regulars appear. And it’s set in a penitentiary.

The opening has House before the parole board. House parrots all of the defenses David Shore gave in interviews after the disastrous finale. Nearly word for word. Which must have saved a few days in the writing room. Having served most of his sentence—and a damn light one it is, too—House has five days before he is released. However, if he gets into any kind of trouble, no matter how minor, he’ll be stuck in prison. From there any sentient being knows the ending.

For one thing, he has to appease the leader of a gang of quite well-behaved middle-aged neo-Nazis. (One can imagine them in lawn chairs muttering “Kids today…no values…”) James Cagney would scare the fertilizer out of any of these fellows. House must give the leader, Mendelson, half of House’s daily allotment of Vicodin. Before he leaves, Mendelson orders that House pay an “exit tax” of twenty Vicodin.


















House and Mendelson discuss medicine






Yaitanes’s style tends to be over the top: explosions, musical numbers, and of course House smashing into Cuddy's living room. One of the unexpected aspects of this episode is that it is quite tranquil. The prison setting has the feeling of a large dormitory, with worse security than PPTH. That is saying something. As the inmates mill about the two-tiered set, there is one or at most two guards to be seen. If this is a minimum security prison, why are there psychotic killers there? If it is a maximum security prison, why aren’t there more guards? Why are there female guards, nurses and doctors? None of the prisoners harass them sexually? I told you these men were well-behaved. Or the cooks put saltpeter in the chow. There are a few punches thrown, but that’s about it until House reneges on Mendelson.

House’s cellmate is a homicidal killer (Kaleti Williams). This character was my personal favorite. Williams manages a complex performance with only a handful of lines. Guest stars Jaleel White and Michael Pare’ also have a handful of lines each, the latter appearing as the prison warden in the cold open, and the former as a chipper fellow inmate.

There is the PTOW, a memorable one for a change, repeatedly misdiagnosed until the final epiphany (the reveal is the sappiest I’ve ever seen outside of a Lifetime movie). There is a Wilson substitute who provides obligatory lectures and tells House not to be House. There is Cameron 3.0 in the person of Jessica Adams, a wide-eyed pretty young doctor. Odette Annabel, who plays Adams, looks completely out of place, as if she’s wearing her mother’s lab coat. As well as a gold necklace that has magically managed never to get stolen in a prison clinic. She is further burdened with the largest amount of expositional dialogue (when House tells her he wants to study Dark Matter physics so he can avoid any more human contact, she exclaims girlishly, “You can read people! You understand them! You gotta go back to medicine!”).

There’s only so much suspension of belief one can work with. The POTW’s arm is broken in one dramatic scene then not treated or even referenced again. And House as a prison janitor? “We need a janitor—let’s get the crippled guy!” (Small note: how does he get up and down the stairs?) How is he surviving on two Vicodin a day? The show hasn’t bothered much about House’s pain problem since Season Five, so when his cane is stolen he’s able to limp about ably with his hand on his thigh. He rubs it now and again to remind us it is there.

Hugh Laurie turns in a workmanlike performance. His passion has moved on to music, and it shows. The rest of the cast is uniformly good. As for the script, as one fan put it,"All I wanted from this episode was for it to Just.Not.Suck." It doesn't.

If this premiere episode is formulaic, at least it’s a workable formula.

Ciao,
Elisa

Photographs courtesy Fox/NBC


Saturday, May 28, 2011

"Moving On" Commentary with "David Shore" & "Greg Yaitanes'

DAHLINGS -

With all of the tumult going on qua my last entry, I thought we could all do with some fun.
The Season Seven DVDs are shortly to be coming out. One of the much-awaited extras is the finale, "Moving On," with commentary by David Shore and Greg Yaitanes.

I must emphasize that I DID NOT WRITE THIS. It was written by my dear friend Nancy, and published with her permission. Again, I DID NOT WRITE THIS. So give Nancy the compliments, not moi. But I think it's tres amusant.

Title: "MOVING ON"; A DVD Extra Commentary fanfiction
Disclaimer: This is a fictional piece featuring a fictional executive producer David Shore and a fictional director Greg Yaitanes. Any resemblance to anyone real, or that we are familiar with, is completely coincidental. Much like House in the last episode.

Note: Italics show scene descriptions or spoken lines from the finale, "Moving On".

"MOVING ON"; A DVD Extra Commentary

House makes his way back to the car after seeing Cuddy having a nice time with a strange man, her sister and her sister's husband. He fingers the hairbrush as he climbs in.
Wilson: What just happened?
House; Get out.
Wilson: What just happened?
House: Get out.
Wilson: House, what are you mad about? Just let it out. You'll feel better.
Wilson gets out of the car.

David Shore (DS): That damn Wilson character annoys me with his constant caring and concern.
Greg Yaitanes (GY): Yeah well, can't have a tough brooding anti-hero without a goofy sidekick. Besides, Leonard fills up screen time.
DS: Who?
GY: Never mind.
DS: I think he should have kept Wilson in the car.
GY: But then he would have risked killing him.
DS: No one is going to get hurt. Just because it is a 1972 Dodge with no airbags doesn't mean anyone is at risk.

House drives down the street and begins to turn the car around

DS: Whatever happened to House's Corvette?
GY: Volger made him give it away.
DS: But House never listened to Volger.
GY: Want me to bring it back in Season 8? He could have it on the island.
DS: How will we explain it's sudden reappearance?
GY: We have to explain things?

House begins to pick up speed

GY: Awesome!! We're coming to my favorite part. He's gonna do it!!
DS: Of course he's going to do it. He's under contract.
GY: Too bad Lisa didn't renew.
DS: Who?
GY: You know, the chick with boobs.
DS: The model?
GY: Nah, the older one. The one in the house.
DS: Whatever, that was a Katie Jacobs' thing, not my vision. We don't really need any women on this show. Well, maybe one, but that always could be a hooker. Our female fans always enjoy women presented as nothing more than sexual fantasies.
GY: Or one night stands for Chase and Taub,
DS: I know, cool, huh?

House spins the car to the left onto the driveway and then the lawn, going at top speed. Wilson jumps out of the way.

DS: Now watch as our speeding hero instantly figures out the trajectory of the car, the layout of the house to be certain there are no support beams he might hit, positions the car to crash in a way that hurts neither himself nor anyone in the house and...assures that the car won't explode.
GY: And he does this all while high on a month's supply of Vicodin, consumed with rage, and while speeding as fast as he can go!
DS: That's why we call him a genius!
GY: How does he know that Rachel isn't in the house? Or one of Julie's little kids?
DS: Who's Julie?
GY: Cuddy's sister.
DS: I thought she was named Lucinda.
GY: I thought so too but the fans wrote to us to tell us no.
DS: We still have fans? I thought we got rid of those this season?
GY: I'm working on it, I'm working on it. These things take time, you know.
DS: Don't be so sensitive, Greg. Anyway, I don't know about any kids of Lucinda, er, Julie, but Rachel is at Arlene's house.
GY: Yeah, but how did House know that?
DS: Cuddy mentioned it in one of the sneak peaks. That's how he knew.
GY: House watches his own sneak peaks?
DS: Shut up and watch the crash.

Crash! Right into the dining room. The table is destroyed, a light falls from the ceiling. Car door opens with a concerted push.

GY: Kaboom!!!!!
DS: And look, he's not even wearing a seat belt. And yet he doesn't have so much as a scratch.
GY: Not to mention he checked himself out of the ICU that morning.
DS. I know. Is he is a cool super hero or what? Er, I mean anti hero.
GY: I guess you were right, House knew exactly what he was doing. No one was hurt.
DS: Exactly. House isn't a killer you know. He is just a boyfriend that is a bit upset. He needed to make Cuddy understand how he feels.
GY: Yeah, it is not like he could have talked to her like she wanted him to.
DS: Of course not, he is all about action, not words.
GY: Right. He had to show her that it isn't acceptable for her to carry on with her life and the life of her child when House is out there having to find comfort in the arms of multiple hookers and a green-card wife.
DS: Exactly my point.

House climbs around the car, and over glass and debris, to hand back Cuddy's hairbrush.

DS: See, he is willing to do whatever it takes to return Cuddy's hairbrush. He is a man of principle! There is a code he lives by, even if society doesn't always approve.
GY: Yeah, he is great guy. Especially the way he risks getting all cut up again after having done self surgery just last week. I wish I could be like him.
DS: Feel free to live vicariously through House. I do.
GY: Is the hairbrush symbolic of something?
DS: Nah, I was hoping that House could spank Cuddy with it when he returned it, but the actress wouldn't agree. She said she had enough of acting out my, er, I mean House's, sexual fantasies.
GY: I am sure our female fans will be bummed.

House hands the brush to Cuddy. Oddly, not one of the four people in the house attack him. He walks out and over to a goldfish faced Wilson.
House to Wilson: You were right, I feel much better.

DS: See, this was my vision all along.
GY: That House was a murderer?
DS; Possibly. But what I meant was that House is meant to be a lone hero, fighting for his liberation.
GY: Right. Liberation from Wilson and Cuddy - the ones who have been holding him back.
DS: What have they ever really done for him?
GY: Besides hire him when no one else would, protect his job from the board, give him a department of his own, be his friend, confidant, and conscience, take him to monster truck rallies, allow him to screw with their personal lives and ruin every other relationship they ever managed to have, allow him to try to prevent one of them from becoming a parent, lying for him to the police, lying for him on the stand under oath, allow him to live with them, help him to get into a mental health facility, hire him back even without a license and hold his job for him, care about him, worry about him and love him despite all his problems?
DS: Exactly my point, they did nothing for him.

House limps off down the street, all the way to either Hawaii, the Gulf Coast of lower Florida, Puerto Rico, Mexico or Southern California. Or possibly just the airport. Most likely though he heads into a black hole that transports him somewhere where it is still daytime despite the flight time and the movement of the sun.

DS: Well, finally House is free.
GY: No job, no home, no money, no friends and no family. Now that's freedom for you!
DS: God I love this show.
GY: Me too. We are the bomb. Kaboom!


Thank you, Nancy! And I do hope the rest of you enjoyed this as much as I did, yo.

Ciao,
Elisa
Related Posts Plugin for WordPress, Blogger...